Mission Mission

Whenever there’s a world premiere in the Bay Area, DT&D wants to give you the scoop, so when we saw the press release for Encore Theatre Company’s latest production, Hookman, an “existential slasher comedy” by Lauren Yee at Z-Below, we knew we had to check it out. It’s the kind of play that makes you want to dissect it over drinks, so BEWARE potential spoilers below, or just skip to the verdict (spoiler: go see it).

Brittany: Soooo, was the whole thing a hallucination?

Katie: I don’t know! I kept going between this must be a dream, to wait no, this is really happening. When it was over I was like “Uhhh shoot, I didn’t get it.” Thank God you didn’t either, because I was feeling seriously stupid.

B: Me too! Don’t get me wrong, I enjoyed it, it went by really fast, it was super short…

K: Yeah, like an hour five.

B: And I was engaged the whole time, partially because I wasn’t sure exactly what was happening.

K: Yeah, I was definitely entertained, I just don’t know if I “got it”.  It was really funny at points, then it would get kind of dark and creepy, then in the final scene it gets really serious and sad for a second, but then really quickly gets back to being sort of funny creepy horror with Hookman playing with her phone.

B: Ok, here’s a guess, maybe the moment the first scene ended, and they were in the car crash, Lexi was knocked out or something, and the whole play is her psyche dealing with what just happened, and the phone call at the end is reality calling her back. Like she’s actually in the hospital or something and the phone call is her mom talking to her when she’s in a coma? Could that be it?

K: Maybe, I don’t if I’ve ever had an experience quite like this before, where I leave the show and really don’t know what happened.

B: Yeah, I don’t know…the staging was cool. Interesting lighting, and really creative design for such a small space. That thing at the end though really threw me for a loop, when that crazy girl came out and she was somehow dead too? It was like the little stinger added to make it even more confusing  “You may have thought this was all fake, but it wasn’t! But it was! Here’s some more stage blood! Curtain.”

K: Yeah what was that? Right now I’m sitting here going over the whole show in my mind thinking “what did that mean”.

B: There were definitely interesting and important themes, like what does social media do to us, how does violence and rape culture shape the way women have to interact with the world, how does a person cope with grief and guilt. I appreciated that they touched on all of that, while making it funny, scary and sad at the same time.

K: Yeah…I still just don’t get the ending. Someone seriously needs to go see the play and let us know in the comments section what actually happened. I know the directors notes say it’s supposed to be “hazy” but really this hazy?

The Verdict: The best theater not only entertains but makes you think. Hookman delivers on both fronts. It’s a little gory at parts (there’s quite a bit of stage blood spurted throughout), but as long as you can stand a little horror we think you’ll enjoy this show.

The Drama Talk: Hookman is the sort of show that you talk about to your friends three days after seeing it, because it’s such a mind-fuck. Playwright, Lauren Yee, adeptly explores themes of guilt, grief, belonging and violence against women all through the unlikely medium of a hilarious horror show about teenage girls. Encore creates an almost cinematic staging, with an impressive set for the Z-below space. The cast of supporting actors do a great job toeing the line between believably terrible teenagers and creepy other-worldly antagonists. While a heartfelt performance of Lexi, by Taylor Jones, keeps the show rooted a reality in which you can’t help but empathize with a teenage girl feeling isolated, scared and maybe guilty.

The Drinks: We always love checking out new-to-us places in the Mission, so we went to The Tradesmen nearby for post-show vino and snacks. We sipped rose and tried to wrap our heads around what we just saw, while banishing thoughts of Hookman lurking around the corner ready to strike.

Hookman runs through May 30th at Z-Below (the smaller basement theater at Z-Space). Tickets are available through the Z-Space website and range from $20-30, OR there’s currently super good deals on Goldstar starting at Comp-$15 tickets for select dates.

I got tipped off to see John Moreland last night at Thee Parkside by a friend who saw him at Stagecoach last weekend. My friend had to see him again. I’m glad I came along. His powerful and beautifully poetic lyrics melted out of him. Watching John Moreland was mesmerizing. He sang of his truths and sadness and Tulsa, OK, and of a home he no longer called home. An exciting discovery, and hopefully a musician who will continue to glow in the limelight he deserves (but doesn’t seem to want or care about). Listen to his whole new album, High on Tulsa Heat, and hear it for yourself.

[Photo by Michelle Crosby]

Last weekend we ventured out to Fort Mason’s Cowell Theater to see the premiere of Max Understood described as “The musical adventures of a precocious child with autism”. We love checking out new works because they always provide new and out-of-the-box approaches to story telling. This show definitely met that expectation.

Photo by Mark Palmer

Katie: I came into this show with high expectations since I’ve known of Nancy Carlin (the writer) for a long time and she does amazing work. The opening really grabbed my attention and I was like wow, this is going to be an in-your-face newschool type of musical. The minute the actors playing the parents came out I was taken out of it because they started acting and singing as if it was an old school musical. The transitions in those first few scenes were very awkward. I felt the world of this show didn’t have a strong foundation so the style seemed misplaced.

Brittany: I had really mixed feelings about the show too. I thought the design was really cool with the white set pieces being used for projections. Everything was very visually interesting. Definitely the sound design was awesome, really amazing surround sound. Having sound move across the stage and come from different areas is really neat. And they took advantage of the fact that the space can do that…which is cool.

K: The music of the whole show was amazing, and I agree, the sound design was maybe the best I’ve ever heard. However, some of the lyrics and melodies were kind of corny and didn’t really match the music and sound design for me.

B: The kid was ridiculously good. He was tiny and he was on stage the entire time and he was really acting. Not acting like a kid “acts” but was actually acting. I’ve never seen a kid have that big of role and pull it off. Maybe he’s actually 18 and looks like he’s 8 or something because that was crazy.

K: And his singing was also really good. Sweet and haunting, and so precious.

B: Yeah, and the parents…I think you hit it on the head in terms of when it started I was like okay, this is going to be a more straight forward musical about how parents cope with an autistic child. Then it wasn’t that and I was happy it wasn’t that because I don’t think that would have been as interesting. But I don’t feel they set up expectations in the right way. So when stuff started getting weird and we started getting in the autistic kid’s head I kept having a bunch of moments of  “what the hell is going on, are we in his head or not?” Maybe that’s part of the director’s intention, they want you to be questioning the strange things that are happening, but as an audience member I found that really jarring. It made it more difficult to sit through than if they had set it up right in the beginning. Obviously it’s hard to know what it’s like to be in an autistic child’s head so it was an interesting interpretation.

K: It was definitely interesting and I can take a little bit of experimental theater but there were moments I felt I was making this face…how would you describe this face I’m making? (Katie shows Brittany her face)

B: That’s a “What the fuck face”.

K: Yeah. There were also moments when I was thinking “Wow, this show sounds so cool, wow, that little boy is so good, wow, this set – I love the moving projections”.  So I kept bouncing between “Wow” and “WTF”.  For whatever reason, it’s so hard to put into words for me, I just felt disconnected and not fully invested in the story and not taken away. So that’s why I’m left feeling mixed.

The Verdict: If you have an open mind and if you can swallow a certain amount of experimental theater, this is good experimental theater to chew on. You will experience an innovative set and sound design and a very different kind of new play where you really don’t know what is reality and what isn’t, told through a very talented child actor. In fact, one of the most talented child actors we have ever seen. However, if the thought of experimental theater would make you want to shoot yourself in the foot – don’t go because you will shoot yourself in the foot.

The Drama Talk: This is a well produced, extremely interesting piece of experimental theater about autism. Autism is something people are starting to talk about a lot more so it’s nice to have theater contribute to the conversation and create narratives around it. It’s a really important conversation to be having. This isn’t a show that everyone would love, though. Being in an autistic kid’s head isn’t the most coherent or relaxing place to be and the story reflects that, which is most likely intentional. We did appreciate how the show didn’t overstay it’s welcome. It was 70 minutes with no intermission.

The Drinks: We are so happy that now there is an awesome bar at Fort Mason just down the way from the Cowell Theater called Interval. It’s a “bar, cafe, museum, and the home of The Long Now Foundation” and definitely worth checking out even if you don’t have a show to go to at Fort Mason. We both ordered from their fun list of specialty daiquiris, and were glad we did…so good!

Max Understood runs through this weekend at Fort Mason’s Cowell Theater. Tickets are available through City Box Office for $30-$40. At the moment Goldstar also has tickets for sale for $13.50 – $21.25. Also, get to the show early so you can check out Sound Maze for Max: An Interactive Exhibit of Invented Instruments at the firehouse at Fort Mason Center, which will be on display from April 4th – May 3rd.

At DT&D we love all theater, but we have a special place in our heart for new works. When Berkeley Rep invited us to a Represent night to see their production of Head of Passes, a new play by the “astonishingly gifted” (e.g. young and talented) playwright Tarell Alvin McCraney, we jumped at the chance. Unfortunately for Katie, only Brittany was free, so she and her boyfriend Sam went out for a date night of Drama Talk & Drinks.

Actress Cheryl Lynn Bruce stars in the West Coast premiere of Head of Passes. Photo courtesy of kevinberne.com

Brittany: Did you like it?

Sam: I did. I feel like everyone in the play was made to represent one of the deadly sins. The son that was obsessed with how they would look to their church friends, Aubrey (Francois Battiste) was pride. The other son, Spencer (Brian Tyree Henry), was sloth. Cookie (Nikkole Salter) was…maybe gluttony…or greed. She was greed, she stole that stuff.

B: But the reason she stole stuff was for drugs which she was driven to because she was molested as a child.

S: Okay fair, but it’s still partially greed. And I guess the dead father is lust. And then the friends…

B: I don’t know if they’re really supposed to be the seven deadly sins. They’re just all imperfect people.

S: Maybe, but the guy, umm Creaker, he was anger. The doctor and Mae were gluttony since they drank all the booze. I don’t know who was envy…maybe Mae was envy.

B: I mean maybe, the play is definitely based in the Bible, but the characters were all too complex to just be emblematic of one sin. It’s a contemporary retelling of the story of Job, just set in coastal Louisiana. In Job people weren’t killed because they were sinful. God was testing Job’s faith. That’s part of what makes the story so tragic. Bad things happen to good people.

S: They didn’t teach Job in my Hebrew school.

B: Probably because it’s such a hard story. No one wants to hear that no matter how good you are, or faithful you are, or whatever, God will still test you and shit will happen.

S: Well the set was fantastic, it was one of the best sets I’ve seen in my life.

B: I really liked the first act. They really captured the cacophony of family drama. The second act was hard though. That final soliloquy is long and intense, and since the actress (Cheryl Lynn Bruce) had to call “line” a few times it lost some momentum.

S: In the pre-show talk the playwright said he added like 100 new pages to the script in the last two weeks. I can’t memorize 10 pages in two weeks, I was impressed she stayed in the moment as well as she did.

B: Definitely, the actress who played Shelah was amazingly talented, but having a prompters voice reading the line flat breaks the momentum no matter what. It was the biggest problem I had with the show. I feel like everyone in the audience was over it by the end. It’s like the Monty Python joke “I’m not dead yet.” She was supposed to die, and it just kept going as the house was crumbling around her.

S: But that was amazing, the set falling apart, and the water. Such cool staging.

B: I agree, but when I went to the bathroom I overheard someone else saying, “Thank God she finally died.” It’s a good show, I really enjoyed it, but the second act needs tightening.

The Verdict: Head of Passes is a promising new work. As always Berkeley Rep has extremely talented actors and designers. Go if nothing else to see a really cool set and well thought out design. By the end of the run (May 24th) it’s going to be great, but give the actors a week to work out the kinks of last minute additions to the script. Be prepared for an emotional night, if that final monologue is done to its full potential there won’t be a dry eye in the house.

The Drama Talk: Seriously, the set is dope. There’s lots and lots of water on stage which makes for really beautiful pictures and interesting sound effects. The show has the intimacy of a living room drama, the epic-ness of a Shakespearean tragedy, and the magical realism of a Kushner all rolled into one. This is only the second time this play has been staged (it was conceived and first performed at Steppenwolf in Chicago, the playwrights home theater), and there are still some kinks particularly in the second act, but McCraney is definitely a playwright to watch. The actors are all extremely talented, particularly Cheryl Lynn Bruce who play Shelah. She has the unenviable task of performing most of the second act alone with one of the most intense monologues we’ve seen in recent memory.

The Drinks: Berkeley Rep has a bar in the theater and since it was opening night they gave us passes for half-off drinks. Who can say no to half-off wine? We got our glasses and went over to the lobby of the proscenium theater and watched the final 15 minutes of Tartuffe on the monitor. One and ¼ of a Berkeley Rep show and half off drinks, not a bad date night.

Head of Passes runs through May 24th on Berkeley Rep’s Thrust Stage. Tickets are $29-$79 and available through Berkeley Rep’s website. If you’re still under the age of 30 half price tickets are also available for most performances. Those can also be booked online, but you’ll need to show an ID with proof of age to pick up your tickets.

Brittany had to go out of town for work so she couldn’t go with me to see Edith Can Shoot Things and Hit Them, produced by Crowded Fire Theater at the Thick House, which is the first show of their 2015 season. It’s a bummer because I really think Brittany would have liked it. I mean a story about how a brother and sister deal with the loss of their mother and being neglected by their father along with the complications that two teenage boys go through due to becoming more than friends, that is told in a humorous, honest, and touching way – definitely a Brittany show.

The Verdict: This was a refreshing piece of theater! It’s a story I haven’t seen done like this. If you enjoy heart warming, edgy stories that also make you laugh, this is a good time to check out Crowded Fire Theater. I have to admit this play had me almost moved to tears while smiling out loud.

The Drama Talk: It was well produced, with a simple, yet clear, set and the director used the space well. The 3 young characters, though played by adults, were well developed and you really care about them. The actor who played Benji (Maro Guevara) was so good I would swear he wasn’t acting, that it must just be who he is in real life.  I would say however, I didn’t leave wanting more because the show felt a little long.

Edith Can Shoot Things and Hit Them runs through March 21st at Crowded Fire Theater. Tickets are currently available on Goldstar for $10 dollars for this weekend. You can also get tickets directly from their website.

(Maro Guevara, Nicole Javier, and Wes Gabrillo)

Photo by Cheshire Isaacs

Weaned on The Little Mermaid, Lion King, Aladdin and countless other Disney musicals, you have to have at least a small soft spot for the magic only The Mouse can provide. True devotees of Disney musicals know however, you have to go beyond the animated features to get the full range of Disney’s prowess. That’s where Newsies comes in; the fantastical musical telling of the true story of paperboys who go on strike in 1899 to protest the unfair treatment they receive at the hands of their big-wig newspaper tycoon bosses. The tour of the Broadway show is playing at the Orpheum now, so of course we had to check it out.

Brittany: Damn can they dance!

Katie: How did those boys jump so high!

B: And flip three times in a row in the air without falling on their head! Seriously by the end I was worried that one of them might hurt themselves. I would collapse after one of those dance numbers, and in the finale they just keep going.

K: Yeah the dancing was ridiculous and amazing. I really loved the second act.

B: Yeah the second act was legit. The first act was a little too Disney corny, but the second act got into the protests and the drama and the really epic songs and set changes. You couldn’t help but feel that swell in your chest when you see four stories of boys dancing and singing in unison about seizing the day.

K: Yeah, you can’t get away from the fact this is a Disney musical. It’s kid friendly and maybe not as cutting edge and some shows I like. But everyone in this show was so talented, the set was dope, and the dancing was just incredible. I wasn’t one of those kids who was super into Newsies, but I was pleasantly surprise by this show.

B: Yeah, me too. And ten year old me would have had the biggest crush on the actor who played Jack Kelly (Dan DeLuca)

K: He can sing, dance and act. Yes please!

The Verdict: Newsies has all the Disney magic you could ask for, and a cast of super talented singers, dancers and actors. It’s a Disney musical, make no mistakes about it, but if you can unironically get into some cheering for a singing and dancing underdog in a jaunty paperboy cap you’ll love it.

The Drama Talk: This show is known for its amazing dance numbers and it more than delivers. Seriously impressive choreography, and an ensemble who can pull it all off. Like every touring show, the design and tech are top-notch, as is the the cast. At times the show is a little too predictable and borders on corny. But it’s heartwarming, good for kids, and with just enough Disney magic that you can believe villains may be able to be reformed after all.

The Drinks: Given this is a show about the newspaper industry, we couldn’t miss the opportunity for a newspaper themed cocktail, so we headed over to Local Edition. Katie got the Fidel and Che and Brittany got the Yellow Kid, and we toasted to dancing, workers rights, and a successful night of drama talk and drinks.

Newsies runs through March 15th at SHN’s Orpheum Theater. Tickets are currently available on Goldstar for $55 dollars for multiple dates. $40 rush tickets are also available for every performance, beginning 2 hours prior to curtain at the SHN Orpheum Theatre Box Office. Cash only, 2 per person. As always you can get tickets directly from SHN’s website.

Sketchfest is upon us! The time of year when all our favorite comedians descend on the Bay Area for three weeks of merriment. Ariel, our DT&D editor, and Sam, Brittany’s boyfriend, are big fans of the 90s American sitcom, NewsRadio so we decided to check out the NewsRadio reunion show as our first foray into Sketchfest 2015.

Brittany: I like NewsRadio, but I don’t think I’m as big of fans as either of you are.

Ariel: When I was in college I obtained raw footage from an entire NewsRadio episode to cut my own episode. And it’s really interesting, when they talked about the musicality of the entrances and exits, for a 3 or 4 camera show it was really hard to cut. You’d imagine for a multi-camera show you can just cut back and forth, but it was so carefully orchestrated, that you couldn’t really cut it a new way. I feel like they took the Kramer entrance from Seinfeld and applied that to the whole show.

B: I was disappointed that there weren’t more cast members there, but I think you still got a sense of what it was like to be on the show.

A: I was bummed that Maura Tierney wasn’t there.

Sam: Vicki Lewis too. I loved Vicki.

A: Maura Tierney to me, maybe because I had a crush on her, she was the heart of the show to me. She was stuck in a world of bumbling cartoon characters.

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There’s comedy at El Rio! Katie & Brittany checked it out and liked it! Here’s their report:

[image via El Rio]

Comedy Returns to El Rio! Although it technically never left. We just didn’t realize it was there. Now in its 6th year, this monthly comedy showcase (called Comedy Returns to El Rio) is held every 3rd Thursday and features an eclectic, multicultural mix of comedians. MC’ed by Kung Pao Comedy’s Lisa Geduldig, we saw an impressive line-up of Joe Klocek, Jabari Davis, Yuri Kagan, Lisa Geduldig AND Marga Gomez. Every month is a new line-up of some of the Bay Area’s best comedians trying out some new material. Comedy, drama talk & drinks at El Rio, what’s not to like?

Katie: For a super cheap comedy night at a dive bar I was very impressed. Lisa, the MC, has a very endearing personality, she had funny things to say, she’s likeable, and she kept the night moving. All the comedians were quick and dirty, the whole show was about an hour and a half. Usually when I go to these smaller comedy shows I like one person and don’t really like anyone else. This time I really liked everyone, except for one person…but I won’t name names.

Brittany: I thought it was hilarious. Another comedy show that I like a lot is The Business at The Dark Room, and this felt similar – people trying out new material in a small intimate space. But many of the comedians who perform at The Business are all still pretty young and aren’t necessarily doing comedy for a living. It was neat that these comedians had been in the business for awhile and could read an audience. They were really on top of it. These were professional comedians, which I wasn’t expecting since it’s a $7 comedy show.

The Verdict: Out of the many small local comedy shows this one is worth checking out. It was as good of a comedy show as you would see at the Punchline or Cobbs but waaaay cheaper.

The Drama Talk: Comedy shows very much depend on the talent that the producer books. The lineup of the show we saw was awesome, hopefully she does that for every show… we have a good feeling she does.

The Drinks: The great thing about shows at bars is it’s easy to get a drink before, during and after the show. We recommend getting to El Rio before 8pm to have a drink and snag a good seat. Then grab your second drink right before the show starts (even if you haven’t quite finished your first). There isn’t an intermission and the bar is in the next room, so getting a second drink during the show is kind of tricky. No one will judge you for double fisting, at least we won’t.

Comedy Returns to El Rio! is every 3rd Thursday of the month. Next show is January 15th at 8-9:30pm. Tix: $7-$20. Available through BrownPaperTickets or at the door. Advance Tickets-rear room/7:30pm door/8 show.

SF “fun” fact: Lena Hall, who originated the role of Nicola in the Broadway production of Kinky Boots, was in my high school class at School of the Arts, back when it was still behind SF State University. So she’s there, and I’m typing this, so obviously we are both shining our bright lights. Anyway, enough about me, Katie & Brittany checked out the local production of Kinky Boots last week, their reactions split down the middle. Here’s their review:

When it’s rainy in SF it’s a challenge just getting out of the house. But when presented with the opportunity for drag queens, fabulous boots, and a night out at The Orpheum, it’s hard to say no. So we braved the monsoon to go see SHN’s latest tour, Kinky Boots.

Katie: I hate to say it, but I’m a little disappointed. Going into this show all I knew was that Cyndi Lauper wrote the music, it won the Tony, and there were drag queens and boots involved. But given Cyndi Lauper’s LGBTQ advocacy, I thought it was going to have more substance and innovation. I guess I was expecting something more like Rent, but with fancier shoes and a few more drag queens. I came in hoping for cutting edge musical theater that would entertain you and make you think. All that kind of bullshit I love. This was just a little forced.

Brittany: That’s so funny. I had the exactly opposite reaction. I was actually pleasantly surprised. I didn’t think I was going to like this show because I had a feeling it was going to be way too fluffy, but it was actually a bit deeper than I thought it might be. I mean it’s a show about shoes, but there were moments.

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Fortunately for all of us, theater is alive and well in the Bay Area. Between some great shows and inspiring conversations, Drama Talk & Drinks is seeming more and more hopeful for lively, challenging and engaging performance around here. I dunno about you, but I am feeling jazzed to get out and see some theater. More on that soon. In the meantime, Brittany and her boyfriend took his mom to Berkeley Rep to see their new show, Party People. Here’s their report:

[(l to r) Christopher Livingston (Malik), Steven Sapp (Omar), and Reggie D. White (Solias) perform in UNIVERSES’ Party People, a high-wattage fusion of story and song that unlocks the legacy of the Black Panthers and Young Lords at Berkeley Rep. Photo courtesy of kevinberne.com]

When parents visit, finding events with reasonable decibel levels can sometimes be a challenge. So when Brittany’s SO’s Mom was in town, they decided to treat her to a night at one of the best theaters in the Bay Area, Berkeley Rep, to see their current show Party People. Since the play is partially about fostering intergenerational dialogue, we figured why not do a Drama Talk & Drinks Parent-Visit edition!

Brittany: One of the biggest problems with the current theatre scene, at least in my opinion, is it tends to play it too safe and fall back on what’s already been done. We see so many revivals and classics being remounted, and even with new plays lots of topics have been revisited ad nauseum. There’s definitely something to be said for timeless theater, but it’s hard to stay relevant without taking some risks. This play takes risks.

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