Mission Mission

Three years ago when The Book of Mormon first went on tour, Katie, Brittany and two of our friends sat on computers from 11:30 until noon on the day tickets went on sale, so we could be the first in the online queue to get tickets to show. Tickets for that run sold out in less than two minutes, and we didn’t get any. Now, years later, we were finally given the opportunity to see Book of Mormon again (on the third time around). Katie had already gone to see it during the 2nd tour, but Brittany hadn’t yet. She asked one of the other friends from the fateful no-ticket day, who also just happens to have grown-up Mormon, to come to the show with her for some Drama Talk & Drinks at SHN’s Orpheum theater.

Brittany: So, as a person who grew up Mormon, what did you think?

Jose: It was really interesting, I really enjoyed the show. My favorite song was Turn It Off. It captures so well how Mormons deal with things, just bury the bad emotions. The whole beginning was so spot on for Mormon life. I knew kids like Elder Price. I also really appreciated the end message. That someone can make up stories, and adapt them to fit a lived experience, like Elder Cunningham did for the African tribe, and because it resonates with them and offers them hope, it can be gospel. I feel like that’s what Joseph Smith did, adapt the stories of the Bible to fit Americans, so this was just the next generation of that.

B: Yeah, I liked that too. It’s funny. I had high expectations 3 years ago, when the whole run was sold out and I didn’t get tickets. But now so many people have seen it, and have been sort of “meh” about it, I actually came in with somewhat low expectations, and they were blown out of the water, I was impressed.  I was worried I was maybe going to be too offended or something, even though I was a South Park fan in college so I don’t know why I thought that, but I liked that it had a positive message. Although a lot of it was South Park humor, poop jokes, sex jokes, whatever, it was smarter than I thought it might have been, and way more nuanced, which pleasantly surprised me. Sure it was offensive, jokes about AIDS and genital mutilation are shocking, but the fact it made us talk about those realities, even if it is through humor, is a net positive. It was way less negative on Mormonism and religion than I thought it might have been too. This is definitely the kinder side of South Park. It wasn’t as cynical as a I was worried it would be.

J: Yeah, I went in with the expectation it was going to be way more negative, but this did a good job recognizing some of the values of religion. I think I can see why the Mormon church doesn’t have big problems with it. That’s why they have an ad in the program advertising the actual Book of Mormon, it was offensive, but not in a hateful way.

B: Yeah. Of course, every time I see a tour at SHN, I’m impressed by the caliber of the actors, and sets, and design, and this is no exception. One thing I thought they did really well though was getting the cartoon like images to come to life in live action. The Spooky Mormon Hell Dream sequence was spot-on, it was so South Park and really funny.

J: Yes and I totally appreciated the idea behind that scene. Spooky Mormon Hell Dreams are for real. I grew up with those perfect Mormon kids, with their almost creepily happy families. I remember once at Mormon summer camp, it was super hot, so I got a Sunkist Orange Soda from a vending machine, because orange soda is usually caffeine free. But for whatever reason it wasn’t caffeine free, and one of the other kids saw it and started calling me “Sin-kissed’ because I was breaking one stupid rule. Some Mormons really are that crazy about rules, so hell dreams happen in Mormon kids childhood, you’re always wanting to break the rules, even though it terrifies you.

The Verdict: Not for kids, not for the easily offended, but otherwise go see it. It’s a delightful show. Not life changing, but really fun, and the message is way more hopeful than anticipated.

The Drama Talk: This show is heartfelt, and a little Disneyfied for South Park, but the less cynical bent makes the show more nuanced and, in our opinion, better. Perhaps they lose out on a few laughs by not going for every joke, but the sincerity made it more feel-good. Also the show is full of smart commentary on society if you care to look deep enough. Examining the way we tell ourselves stories: through religion, Sci-Fi, culture, and mythology. Also how we use those stories to cope with the problems we face as humans, is an interesting thread that’s explored throughout the show. Obviously a very talented cast, and super flashy set like any Broadway tour. Also an Ex-Mormon says the portrayal of Mormons is spot-on, so that’s got to be worth something.

The Drinks: After the show, we decided to check out The Beer Hall down the street. Jose got the Wells and Young Stout (like Brigham Young) and Brittany got a Prairie Artisan Wild Saison (you know because Mormons live on the prairie) and they toasted to a hilarious night of drama talk and drinks.

The Book of Mormon runs through June 1st at SHN’s Orpheum Theater. Tickets are available through SHN’s website for $80-$200. They are also doing a $29 ticket lottery for every show, so show up 2 ½ hours before any performance to try your luck at the drawing. Two tickets are available per winner. At the moment Goldstar also has tickets for sale for $75.

At DT&D we love all theater, but we have a special place in our heart for new works. When Berkeley Rep invited us to a Represent night to see their production of Head of Passes, a new play by the “astonishingly gifted” (e.g. young and talented) playwright Tarell Alvin McCraney, we jumped at the chance. Unfortunately for Katie, only Brittany was free, so she and her boyfriend Sam went out for a date night of Drama Talk & Drinks.

Actress Cheryl Lynn Bruce stars in the West Coast premiere of Head of Passes. Photo courtesy of kevinberne.com

Brittany: Did you like it?

Sam: I did. I feel like everyone in the play was made to represent one of the deadly sins. The son that was obsessed with how they would look to their church friends, Aubrey (Francois Battiste) was pride. The other son, Spencer (Brian Tyree Henry), was sloth. Cookie (Nikkole Salter) was…maybe gluttony…or greed. She was greed, she stole that stuff.

B: But the reason she stole stuff was for drugs which she was driven to because she was molested as a child.

S: Okay fair, but it’s still partially greed. And I guess the dead father is lust. And then the friends…

B: I don’t know if they’re really supposed to be the seven deadly sins. They’re just all imperfect people.

S: Maybe, but the guy, umm Creaker, he was anger. The doctor and Mae were gluttony since they drank all the booze. I don’t know who was envy…maybe Mae was envy.

B: I mean maybe, the play is definitely based in the Bible, but the characters were all too complex to just be emblematic of one sin. It’s a contemporary retelling of the story of Job, just set in coastal Louisiana. In Job people weren’t killed because they were sinful. God was testing Job’s faith. That’s part of what makes the story so tragic. Bad things happen to good people.

S: They didn’t teach Job in my Hebrew school.

B: Probably because it’s such a hard story. No one wants to hear that no matter how good you are, or faithful you are, or whatever, God will still test you and shit will happen.

S: Well the set was fantastic, it was one of the best sets I’ve seen in my life.

B: I really liked the first act. They really captured the cacophony of family drama. The second act was hard though. That final soliloquy is long and intense, and since the actress (Cheryl Lynn Bruce) had to call “line” a few times it lost some momentum.

S: In the pre-show talk the playwright said he added like 100 new pages to the script in the last two weeks. I can’t memorize 10 pages in two weeks, I was impressed she stayed in the moment as well as she did.

B: Definitely, the actress who played Shelah was amazingly talented, but having a prompters voice reading the line flat breaks the momentum no matter what. It was the biggest problem I had with the show. I feel like everyone in the audience was over it by the end. It’s like the Monty Python joke “I’m not dead yet.” She was supposed to die, and it just kept going as the house was crumbling around her.

S: But that was amazing, the set falling apart, and the water. Such cool staging.

B: I agree, but when I went to the bathroom I overheard someone else saying, “Thank God she finally died.” It’s a good show, I really enjoyed it, but the second act needs tightening.

The Verdict: Head of Passes is a promising new work. As always Berkeley Rep has extremely talented actors and designers. Go if nothing else to see a really cool set and well thought out design. By the end of the run (May 24th) it’s going to be great, but give the actors a week to work out the kinks of last minute additions to the script. Be prepared for an emotional night, if that final monologue is done to its full potential there won’t be a dry eye in the house.

The Drama Talk: Seriously, the set is dope. There’s lots and lots of water on stage which makes for really beautiful pictures and interesting sound effects. The show has the intimacy of a living room drama, the epic-ness of a Shakespearean tragedy, and the magical realism of a Kushner all rolled into one. This is only the second time this play has been staged (it was conceived and first performed at Steppenwolf in Chicago, the playwrights home theater), and there are still some kinks particularly in the second act, but McCraney is definitely a playwright to watch. The actors are all extremely talented, particularly Cheryl Lynn Bruce who play Shelah. She has the unenviable task of performing most of the second act alone with one of the most intense monologues we’ve seen in recent memory.

The Drinks: Berkeley Rep has a bar in the theater and since it was opening night they gave us passes for half-off drinks. Who can say no to half-off wine? We got our glasses and went over to the lobby of the proscenium theater and watched the final 15 minutes of Tartuffe on the monitor. One and ¼ of a Berkeley Rep show and half off drinks, not a bad date night.

Head of Passes runs through May 24th on Berkeley Rep’s Thrust Stage. Tickets are $29-$79 and available through Berkeley Rep’s website. If you’re still under the age of 30 half price tickets are also available for most performances. Those can also be booked online, but you’ll need to show an ID with proof of age to pick up your tickets.

If you have grandparents who loved Murder, She Wrote marathons, or if you grew up with an affinity for singing teapots, you can’t help but have a special place in your heart for Angela Lansbury. Who else can make murdering people and cooking them into pies sound so sweet? So, when we heard that at age 89 she was doing a super-limited North American tour of Noel Coward’s Blithe Spirit, we knew we had to see it. So, off we went to SHN’s Golden Gate Theater for a night of laughs, drama talk and drinks.

Katie: Go fucking see this show!

Brittany: IT WAS SO GOOD!

K: If you’re going to throw down some money on a really fun, twists and turns, old-school, straight-play comedy, THIS is where you should put your money, people.

B: It was amazing, and Angela Lansbury is the most adorable, wonderfulest person. I wish she was my grandma. I mean I love my grandmas, but I’d take her as my third grandma any day.

K: Be prepared though, because every time she walks on stage people love her so much they can’t stop clapping. Which was annoying, but I get it.

B: She walks on stage and all you want to do is give her a hug. You can’t take your eyes off her, she’s that talented. Everyone in this show is really talented, but she is exceptionally talented.

K: This is one of the few shows I’d say don’t have a drink before, because you don’t want to miss a thing. It starts off with a lot of British fast wit, and you want to be able to follow it, because it’s hilarious. What I really loved about his play is it wasn’t predictable.

B: There’s a reason some plays survive the test of time. This was written in the 1940s, and it’s still so funny.

The Verdict: If you have the money, or if you don’t have the money go find some money and then see this show. When you aren’t mesmerized by what’s happening on stage, you’re hoping that the scene change doesn’t mean the play is over, because you want it to keep going for another hour. One of the best shows we’ve ever reviewed.

The Drama Talk: The best actors are the ones who you can tell absolutely love performing, and you can tell Angela Lansbury loves being on stage. It’s no wonder she won a Tony for this role. She is phenomenal; you can’t help but watch her and love her. This is a quick, smart, witty play, but with enough darkness and occult elements (it’s a comedy about ghosts) that it doesn’t get saccharine. All the actors are great. With a play this fast you need a tight cast, and they are tight. It’s a national tour, so of course the set and design are top notch. As delightful as this show was, perhaps the most endearing part is watching Angela beam at her curtain call. She really is one of the greats. Don’t miss this chance to see her perform.

The Drinks: We had rock-star parking near the Golden Gate, so we decided to stay nearby and go to The Showdown across the street for drinks. It’s an “Urban DJ Saloon” so, as promised, there was a DJ spinning and an open-mic hip-hop show happening. It was hard to hear yourself over the music, but the drinks were strong and good. Brittany got a martini (since those are the drinks they open the show drinking) and Katie got a gin and tonic, and we yelled excitedly over the DJ about what an awesome show we had just seen.

Blithe Spirit runs through February 1st at SHN’s Golden Gate Theater. At the time of writing, SHN’s website was showing the error “We are currently experiencing high demand for tickets. Please check again shortly.” Since price is variable based on demand, these aren’t going to be cheap tickets. If any are still available you can get yours on SHN’s website. As of right now there are also tickets available on Goldstar.