Mission Mission

One of the people who keep talking during the show sat down to look at her phone behind me. I've been farting on her.

— Chelsea Otakan (@chexee) November 18, 2013

From Modern Luxury’s San Francisco Magazine profile on the history of the Delfina empire:

If Delfina played a role in the fancification of the Mission, what do you miss most about the good ole days?

Craig: Don’t get me started on the word gentrification. I don’t miss anything about the good ole days. I don’t miss crime and squalor.

I wonder if Craig thinks that he solved the underlying problems that lead to crime and squalor, or if he’s content with being a force that shifted it into someone else’s neighborhood.

I lived at 18th and Dolores through much of the nineties and 18th and Guerrero for much of the two thousands, and I’m not sure he did much more than open some high end restaurants.

Katie & Brittany checked out Peter and the Starcatcher at The Curran and found that they could enjoy it more if they were able to meet the play where was, rather than trying to bring the play to them. They really liked it! Because they really do like theater, and they want you to as well! Here’s their report:

San Francisco, and particularly the Mission, has been called Neverland by some. A place where people go when they don’t want to grow up. So when we heard there was a play that explained the origins of Neverland and the Peter Pan story, we knew we had to check it out. So off to SHN’s Curran Theater we went to see their latest play Peter and the Starcatcher by Rick Elice (based on a children’s book by Dave Berry and Ridley Person by the same name) in its first stop of its national tour.

Brittany: I’m just going to go out and say it, I liked the show.

Katie: Say it loud say it proud!

B: I wish it had been in a more intimate space. I think it would have been a blow-my-mind-amazing-play if it had been in a more intimate space . . . It took me longer to get into it because the Curran is so big, but I still liked it.

K: I liked it, it grew on me. At first I was like, “What the hell is this? There are actors talking at me really fast, are they just going to tell me a story?” For me the Second Act was what did it for me, it was great.

B: Right! I was so sad our entire row, and half the row behind us, left at intermission. I don’t know why they left, because it definitely was not a show that deserved to be walked out on, but they really missed out on the Second Act.

K: They really did, If I had left after the First Act, I would have been like “Meh, that was a cute children’s bed-time story written for adults, and I liked the stage design.” But after the Second Act I was like, “OMG this was so good, the actors were so talented, and this was so entertaining.”

B: I loved the creativity and smartness of this show. The script has lots of fun puns and wordplay. Definitely multi-layered humor for kids and adults. The staging was so creative. I liked that they didn’t sing a lot too. Sometimes musicals go too far. I thought they used music really well.

K: Yeah their transitions were very well done, and they used music really purposefully. The guy who played Black Stash (John Sanders) made the show for me, he rocked the Second Act. When he threw down the “Yeah, and I bet your milkshake brings all the boys to the yard” I lost it. I think my adultness really took over in the first act, and then for the second act I was like, “Fuck it, I am just going to turn myself over to this play”. Once I did that I had a great time.

B: It’s fun when theatre can be that explosion of fun, imagination and creativity. It lets you feel like a kid again, which doesn’t get to happen enough in the default world. I love that a rope can be a wave, and a rubber glove can be a bird, and this play gives you permission to think those things and go on this journey.

The Verdict: Go see it! If you lack all imagination, hate kids, Peter Pan and everything fun, you’re probably not reading this blog anyway. [They underestimate our commenters! - Ed.] So just go see it.

The Drama Talk: Peter and the Starcatcher the play is smart, witty, and totally ties up all those Peter Pan origin questions you always had. Peter and the Starcatcher the touring show is delightful. Even though it has Broadway production quality, it falls back on the barebones of children’s theatre imagination for the staging, which is a welcome respite from high production quality shows that spoon feed the audience cinematic images. The company is tight, and fast. Jokes and puns fly a mile a minute. It’s nice to have a show that’s so fun, but still requires the audience to use their brains.

The Drinks: After a fanciful, and nautical night at the theatre (the show has all the trappings of any Peter Pan, pirates, mermaids, etc.) we thought a bar with tiki punch influences
(which was also listed as one of the top hotel bars in SF) was probably in order. We chose the The Burritt Room for our after-show cocktails. Katie got a Knickerbocker La Monsieur because that sounds fun, and Brittany got the Royal Bermuda Yacht Club because it’s a boat drink. Both were a great conclusion to a Wednesday night of Drama Talk & Drinks.

Peter and the Starcatcher runs until December 1st at SHN’s Curran Theater. For opening week they had Rush Tickets available for the show if you got there two hours before curtain, so check back on the SHN site for more promotions like that. There were also Gold Star tickets available for this show last week, at the time of writing that deal expired too, but that doesn’t mean that there might not be more.

Even though the SF bike coalition has put a ton of painstaking work into creating a thoroughly-detailed bicycle map of the city, it can appear pretty daunting to anyone glancing at it while trying to plan a riding route, and just plain overwhelming to newbie riders looking to adopt cycling as their primary means of transportation.  Fortunately, longtime cyclist Mat Kladney noticed this and decided to create a map that makes bicycling from one end of the city to the other look as simple as following a straight line:

“Need to get from Downtown to the Bernal Heights? Just follow the Blue Line,” he says. “This simplicity will re-frame the existing San Francisco bicycle lanes as the San Francisco Bicycle System and will help convince more people to saddle up and take to the streets.”

Instead of contoured lines denoting hill grade or the inclusion of every single city street, the map ends up looking like a subway system map, with popular routes like Valencia’s “Green Wave” called out.  So, the next time you’re trying to figure out the perfect route to that bike picnic at Baker Beach, just pick a color or two a ride!

[Link to map, via The Atlantic]

Easy peasy!

Watch the whole process here:

In anticipation of an upcoming Drama Talk & Drinks review of Porgy and Bess, Katie and Brittany got to chat with the cast and crew, here’s their report:

http://www.youtube.com/watch?v=d1LAOQKwD54

When we got invited to a pre-show event for Porgy and Bess, opening at SHN’s Golden Gate Theater, we weren’t sure what to expect. We were, however, told there would be free drinks, so of course we went. This special event for SHN subscribers and Press, featured a talk from the Director and one of the show’s producers, as well as a sneak peek behind the scenes of a tech rehearsal. For press it also featured a speed-dating-like round robin of interviews with the Cast and Creatives. Crammed into our little post-it assigned space in the back of the theater against the wall between “Fashionista Lab” and “The Bold Italic”, we had 5 minutes with each interviewee to get the important questions answered. We were pretty nervous, since this is not the kind of thing we usually do, but we are always down for potentially humiliating and awkward yet interesting situations. So we prepped like any speed dater would, and rehearsed our 3 burning questions to get the conversation started: Why are they excited to be in our great city? What’s it like to work on Gershwin’s iconic American folk opera? And why should people come see it?

After some drama talk and drinks here are the highlights from our dates.

Interview date #1: ESosa (Costume Designer who was featured on Project Runway Season 7)

On SF: What I like about SF, coming from New York, is that it’s a walkable city and I love to walk. And the food here is amazing!

On The Show: As a designer I like to work on new things so Porgy and Bess is the first revival I’ve ever worked on. For me theatre design and fashion design are two sides of the same coin and I approach it the same way. I want to make my characters look good, feel good, and be able to tell their story.

Interview date #2: Roosevelt Andre Credit (Fisherman)

On SF: I was born and raised in Oakland and went to Skyline High School. I now live in New York, so I’m excited to be back in the Bay.

On the show: What Diane Paulus (the Director) did was take the opera, which is four and a half hours, and made it short enough to go on Broadway, because you have to have a show in three hours or less. We really wanted to focus in on the story and this story definitely translates to today.

Interview date #3: Kent Overshown (Mingo, the Undertaker, u/s Porgy)

On SF: I grew up in Oakland but I moved to New York 3 years ago but I wish I was still here honestly. I’m not a fan, but it’s where the business is most lucrative, but there is nothing like the Bay Area.

On the show: Unlike most theatre this isn’t about the spectacle, it’s not about this grandiose thing. It’s not above life, it is life. It’s about community. How we communicate with each other, how we struggle together and the challenges we face together. How we celebrate together as well. I think it’s an important story because people feel alienated by the theater especially young people but this is our story and they need to see it.

Interview date #4: Nathaniel Stampley (Porgy)

On SF: This is my first time here. I’m loving San Fran already [Ed. Note: Oops.], I was so excited to hear we were opening the show here. There is so much history and culture here, it’s such a great city.

On the Show: I think the biggest thing about this production is we are introducing this show to a younger audience and I think it’s in a way that they’re going to absolutely love. It’s two and a half hours. I think any night you are listening to Gershwin is a good night. If you have ears and you are alive you are going to love this show.

The Verdict: Our speed-dating-like round robin of interviews was fun but (let’s be honest) stressful. If we had to chose our favorite date Brittany would chose Kent, because who can say no to that deep seeded Bay Area love and Katie was all about ESosa because he’s into the amazing San Francisco food just as much as she is.

The Drama Talk: Based on the very little we saw of the tech-rehearsal, and our conversations with the actors, it sounds like this is a very fresh and real take on this beautiful show. We’re excited to see it and report back to you soon.

The Drinks: SHN knows how to treat their subscribers right. Open bar before a sneak peek tech-rehearsal? Yes please!

Via reader Ben.

Maybe it escaped from Paxton Gate?

[Thanks, Ben!]

UPDATE: The plot thickens, from Mishka SF . . .

@missionmission or maybe it’s our security system.

— Мишка San Francisco (@mishka_sf) November 12, 2013

Queens of quiz return! Shotwell’s, tonight, 8pm. Food at 6pm.

RSVP and invite your friends!

Listing to people passionately argue if Dolores Park is #dolo or #dopa

— Michael Margolis (@yipe) November 10, 2013

Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

- Nabokov (but you knew that)

P.S. On a side note, Nabokov actually references our Dolores in Lolita, when his protagonist, Humbert Humbert, remarks “Mission Dolores: Good title for a book.” And indeed it would have been for him.

Kyle Lesley is a San Francisco audio engineer, social activist, and all-around excellent human being. He is also a person who was recently diagnosed with Stage IV melanoma. Given that he has helped out countless folks in the city’s independent music scene with his know-how, it only makes sense that a bunch of musicians got together and decided to throw him a party this Sunday at El Rio to help pay for his treatment and some other necessities.

From 8 p.m. to 1 a.m. this Sunday, Nov 10, a donation of $5 to $20 gets you five bands and a DJ, plus, you know, everything else good that’s usually at El Rio (alcohol, a patio). If you’re lucky, Kelly McFarling will do some Whitney.

(Original painting — that will likely be part of a raffle — by Eunice San Miguel.) (The photo below is just Kyle being Kyle-like.)