Google coming to the Mission

Well, that’s one way get some of the corporate buses off the streets.  According to an article on VC Post, the embattled tech giant has reserved the former office of Howard Quinn, a newspaper and catalog printer that went out of business in 2012 primarily due to the rise of digital publishing (you can still see the failed last-ditch effort “Digital Printing” sign on the building in the image above the banner is actually from H&H Printing, who moved across the street and are still in business).

Since the NE Mission area is mainly zoned for manufacturing, the new location will most likely serve as a lab for start ups acquired by Google that specialize in wearable technology and robotics, like that frightening techno-hound that will soon be running down insurgents and protesters alike in the near future:

A neighborhood resident quoted in the story provided some background:

“When Google is buying companies, they don’t want to work in the big corporate building in San Francisco or Mountain View. So they are acquiring something cool in the Mission where engineers want to work.”

While some believe that said “coolness” may arguably be leaving the city along along with out-priced artists and musicians, our pal Andy raises another important question:

“Hopefully city officials learned their lesson with the Twitter payroll tax cut fiasco and will quit the special treatment of these companies.”

I suppose we’ll see…

[Link via Mission Local, Image via Google Maps of course]

3D City: The Blessing Of the Doggies

One rainy Sunday I headed down to Dolores to watch the ceremonial blessing of the Doggie Diner Heads. On hand for the event where Sister Dana Van Iquity (from the Sisters of Perpetual Indulgence), Ed Holmes, John Law, and a small crowd of dog lovers.
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Look at this brunch sandwich

This is at Dear Mom right now:

sliced rice-puff breaded fried chicken, kale+cucumber kimchi + yogurt salad, & spicy mayo, all on an epic english muffin! it’s on the menu today until 3pm [link]

Meatloaf

Anchor Motherfucking IPA

On tap at Pal’s Takeaway (and whatever the place is called at night) right now!

Back when the most expensive concert ticket in town was Led Zeppelin

And it was $11.50.

Tonight you can see an LCD Soundsystem *cover band* at Verdi Club for $15.

[via Emma]

Drama Talk & Drinks: Hir

The subject of one’s Preferred Gender Pronoun is finally getting some mainstream attention right now. Facebook announced today that it will allow many more gender options for self identification in profiles, and late last year A-gender teen Sasha Fleishman bravely spoke out after their attack on a bus by a classmate. The Magic Theatre’s new show Hir (pronounced like “here”) tackles gender identity, and from the sound of it, a whole lot more. Here’s the report from Katie & Brittany:

 

When we saw that the Magic Theatre was putting on a show called Hir we were intrigued. Armed with little more than Magic’s description “Newly enlightened Paige is determined to forge a deliriously liberated world for her two wayward children: Isaac, on leave from the Marines under dubious circumstances; and Max, tender, jaded, and sculpting a third-sex gender identity for hirself.” We braved the rainiest Sunday in recent memory for some Drama Talk & Drinks.

Brittany: I think Magic Theatre likes to say “fuck you” to its’ audiences.

Katie: I agree, I left that show with less hope for life than I did walking into it.

B: Which is not to say it was a bad show. It was a very well done show. But it was SO depressing.

K: It was depressing, but at the same time refreshing. I thought it was fascinating to see how far they could go with a dysfunctional family. The writing was really good, and the show had good pacing.

B: The first act of the play was a little too wordy for me. I felt like I was in a gender studies class, but maybe some audience members need a gender studies class for the play to make sense.

K: Sometimes it did get a little preachy, but overall, good writing, well acted, and an amazing tragic ending. I’m struggling with finding words for it, because it was well executed, I was moved and entertained, but I don’t think I would want to go through that again.

B: In the Director’s notes they talk a lot about the similarities between Hir, and Sam Shepard’s Buried Child (which we reviewed at Magic earlier this season). I feel very similarly now, to the way I felt walking out of that Buried Child. I feel moved, which is to say disturbed, and impressed by what Magic was able to create. At the same time, I don’t know if I would tell everyone I know to go and see it because it is such an unsettling piece.

K: I felt like I was in good hands with those actors, and the director and writer. I don’t have any negative notes for them, I enjoyed the lighting, staging, pacing . . . everything.

B: The actor who played the father (Mark Anderson Phillips), was remarkable. All the actors were good, but his physicality throughout the show was so spot on. That was such a hard role, and to see him throughout the play so debilitated, and then at curtain call as a totally normal person was impressive.

K: I really liked the mother (Nancy Opel) too. I thought she was really complex. I could imagine her as a submissive Mom, who has now gone a little batty and become empowered. She handled that character really well. If there are people who want to see creative, reimagined theatre, that hits you in the face hard, this is a good play to go to.

B: People should definitely go see it, just be aware you might want to drink heavily afterwards.

 

The Verdict: Go see this show. Although we both left with a bleaker outlook on the world than when we entered, it’s the sort of bleakness that makes you think, which is what good theatre is all about.

The Drama Talk: Magic is correct when it identifies Taylor Mac as “one of this country’s most heroic and disarmingly funny playwrights.” This play is disarming. From lights up on a man in a woman’s night gown in clown make up, to an end that leaves you feeling despondent, this play breaks lots of new ground. Magic and its cast pull off this complex show beautifully.

The Drinks: We went to a 7pm show on a rainy Sunday night, so the first place we tried had actually closed early. We ended up at Bullitt Bar on Polk. Katie got bubbly, since they keep talking about drinking non-alcoholic bubbly during the show, and Brittany got a spicy margarita, so her mouth would hurt as much as her soul after seeing such a depressing play.

Hir runs through February 23, at The Magic Theatre in Fort Mason. Shows are starting to sell out, so if you want to see this show before it closes you should get your tickets soon. Tickets for Hir are available through the Magic Theatre online box office and range from $20-$60 depending on seating.

Selfie in progress

[via Joshua Cobos]

Drink of the Week: Carrot-orange mimosas with fancy juice by Thistle

These Thistle guys (note that their URL is thistlechangeyou.com) (wait, so is it pronounced “this’ll”?) were giving out sample shots of their 100% raw, cold-pressed kale juice the other day on Valencia, so we struck up a conversation and ended up buying some other juices to go. But, us being us, we needed to combine them with alcohol in order to consume. It was awesome. Fancy juice is the bomb.

Next I’m gonna try combining the kale juice (which is called “Verdance” and also contains apple, celery, cucumber, spinach, parsley, lemon and ginger) with mezcal!

(We got the idea of a carrot-orange mimosa from the new kitchen staff at Broken Record btw.)

Look at this hot dog

It’s a Guatemalan street specialty known as a shuco, and you can get one at a new spot on 22nd Street called Los Shucos.

[via Mission Local]