All about emo

Our pals at Noise Pop recently launched a new regular feature on their website called Town Crier where they get their pals to write guest posts about the local music scene or music in general. This week, they were lucky enough to get yours truly to investigate the local emo scene (which, as we all know, centers around Diary AKA “Emo Night” at Pop’s, which is celebrating its second anniversary this Saturday night). Here’s how it starts:

I never got into emo. Friends in high school were into it, but I just didn’t get it. Years went by, and you stopped hearing about it so much. I thought maybe emo was a thing of the past—and then one night a couple years back somebody invited me to something called “Emo Night at Pop’s.” I liked Pop’s pretty well, so I went, and it was like nothing I’d ever seen before. It was a roomful of kids drinking cheap beer (seemed pretty familiar up to this point I guess) and shouting along to every single word in every single song the DJ played. With such joy on their faces, every one of them. I drank some beer and nodded my head, but I couldn’t shout along. I felt so left out.

Read on for the rest of my emotional story, plus Q&A’s with Diary co-founder Patric Fallon and a real live San Francisco emo kid, and some epic emo videos!

RSVP and invite your friends here.

Tough crowd for Dolores Park piano man

Hey drunk dude, we get it, you’re not a fan of Ben E. King. That’s no reason to crush yourself with a piano. There’s plenty left to live for.

Free all-day music and food festival at Potrero del Sol tomorrow – with actual good bands!

This is going to be a blast. Music, food, fun. Decent weather. People actually making the trek over to Potrero del Sol for once. (Now, the question still remains: When the hell will somebody bring a decent concert lineup to Dolores? Right?? But I don’t want to be a Negative Nattles; Phono del Sol will certainly suffice for now. It’s gonna be a blast!)

RSVP and invite your friends here.

Weezerific jam session

Tiny Telephone is a world-renowned recording studio located right here in the Mission, right around the corner from Potrero del Sol. Last week, I stopped by and caught Moe Meguro screwing around between takes. I sure love Weezer.

Moe Meguro’s Kickstarter campaign still needs $90 more btw — and it ends in 11 hours!

Hillbilly Dental

I don’t know if relying on a this individual for dental health is a good idea.

[16h and Valencia via Mr. Eric Sir]

Oldies Night gets political

Well this dude kind of looks like a square, but apparently he’s not, because he’s about to get nasty at Oldies Night tonight at the Knockout. He is mayoral hopeful John Avalos and he’s been invited to guest DJ at tonight’s party. The Examiner, our local newspaper of record, delivers some choice copy on the matter:

Avalos is making a special guest apperance [sick!] at a popular Mission party dubbed Oldies Night and rumor has it the District 11 supervisor will be playing some choice dance jams for the masses.

Described as a “rad nasty dance party,” Oldies Night is regularly attended by the 21- to 35-year-old sect, of the hipster variety. [link]

Rad nasty! The only problem is that Avalos’ headshot, while handsome, isn’t quite as handsome as the usual Oldies Night posters.

RSVP and invite your friends here.

Goodbye pig, hello bird

Angry pig, begone!

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and here it is deskewed:

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Home-movie-themed music video features Omer, the Derailleurs, a guy sleeping on BART, a girl at a shooting range and lots more

The band is called Appetite, they’re playing for free at Potrero del Sol this Saturday as part of Phono del Sol, and you can watch the video in its entirety right here:

[via The Bay Bridged]

Harvey vs. the record industry

Scott Soriano’s Crud Crud today takes a look back at an early-’80s San Francisco band called Harvey:

Harvey were a San Francisco band made up of the three Harvey brothers – Doni, Regi, and Chris. They were responsible for on 45 and one 12″ ep. Both are solid records – Blue Oyster Cult/Thin Lizzy-influenced hard rock, with punk energy and compactness. Listen to this song and guess why no major label took a chance on them: Three brothers with a great hard rock sound. Now consider this: The Harvey brothers are Black and being a Black rock & roll band in the 1980s was considered marketable. Was this an example of racism in the music industry? Perhaps a bit, but remember, Arista took a chance on the Bus Boys and, despite heavy marketing and a lot of media, they never really took off. The industry figured, they tried and people weren’t ready. And, to be fair, they were probably right. Black rock & roll bands were so uncommon – in the mainstream – that they weren’t a novelty; they were a rarity. And outside of a few major cities, it was rare to see African Americans at rock concert, as fans.

Read on for more history and a free mp3.

Backlash against KKKatie has begun

Reader Tofu Puppy snapped this picture in the ladies room at Club Waziema. Shocking, right?