Only on Muni, am I right?
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Not only was La Lengua the subject of a newspaper article yesterday, it also made its debut on the local news. CBS 5 talks to Burrito Justice and a few other La Lenguans, and gets a lengua taco at some place called “Taqueria Can-Can.”
Watch it here.
I love walking by the 23rd and Guerrero Market at night. It reminds me of that scene in Lady and the Tramp where they’re eating meatballs — it’s so back alley but adorable at the same time.
You know you want to help save a killer radio station, so stop on by and check out some rad bands, maybe have a beer or two, see what happens.
Previously:
Congrats, ATA! Here’s the deal:
Artists’ Television Access celebrates the first five years of the ATA Annual Film & Video Festival with a retrospective screening at The Roxie, Playback: 2006-2010, April 19th, 2011.
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Festival directors Isabel Fondevila and Shae Green proudly present a selection of local & international works, celebrating unconventional films and a singular film festival that entertains and provokes audiences worldwide. Don’t miss your chance to experience what BadLit describes as “a real powerhouse of experimental media exhibition.”
Read on for a full program and ticketing details.
It’s tonight at Kitsch Gallery. Read all about it:
Once there was a time when people knew the difference between sacrifice and compromise. Which is to say, they knew the difference between a walrus and a robot. Which is to say, they knew the difference between a hole in the ice… and the ice itself. They knew each of the 18 hand movements prescribed by Time Motion Study, and they knew how to use them in a way that was restful. This play is a television mini-series about that remarkable period of time.
As always, The Missoula Oblongata is asking the big questions here: Can inefficiency be cured? If a robot is smarmy, is it only a reflection of your own smarminess? What exactly does it take to get oneself on a postage stamp?
This April, The Missoula Oblongata will be touring their new play, The Daughter of the Father of Time Motion Study around the country. It’s the company’s sixth touring production–this one half the size of their usual main-stage fare, but with all of the moving parts, twisty dialog, and duct-taped together lighting that the company has become known for. And all of it is created, performed, and operated from the stage (that is, a 6′ x 6′ x ’6 box) by the three full-time members of the company: Madeline ffitch, Sarah Lowry, and Donna Sellinger.
RSVP and invite your friends here.