I’ve been watching a lot of horror movies lately. Good ones, bad ones, old ones, new ones. A common element has been that they’re generally 90 minutes long and only about 20 of those minutes are good — filled with zombies, gore and action. The other 70 minutes tend to involve talking, exposition, or irrelevant things like romance and character development.
Meter Maid Me Massacre (by local auteur Cecil B. Feeder) is 20 minutes long, and almost all 20 minutes are packed with artfully crafted gore, serious martial arts action, and topless zombie girls. The characters are paper-thin, the story is ludicrous (who drives a car in this city anyway?), and while there is a romantic subplot, it takes up all of about 30 seconds.
Early scenes take place at Zeitgeist, and the climactic final act takes place in and around Speakeasy Ales & Lagers, so be on the lookout for your favorite bartenders and brewmasters. The film screens today at 5pm as part of Another Hole in the Head at the Roxie.
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elle reprsente apparemment le phnomne le plus original d’un ensemble de musique pianistique qui peut s’interprter comme un effort de mise en tablature (arrire-plan blues). “we grew up founding our dreams on the infinite promise of american advertising. and everything and i will always care. many contemporary pieces are actually based on classical works by some of the greatest composers. many traditional teachers don’t even teach how to improvise which is why a lot of pianist today don’t even know how to do it even though they could play just about any piece of music that you put in front of them.